Operation Flashpoint Elite

Savaged

Like Codies said, they could have released a stripped down version easily, but they loved the way it was too much. Kudos for that, but in a way it's one of those conversions that probably should have been abandoned so that it could remain fondly remembered for what it represented back then. Dragging it into the current era on a machine it was never designed for is unfair. The brand's heritage deserves more than to be given a kicking by unsympathetic critics.

For what you actually get within this decent-value package, it's hard to argue too hard. In terms of content, it's the full Monty, with the entire 40-odd mission-long Cold War Crisis campaign, an additional 15-mission long 'Resistance' prequel campaign (starring the infamous Victor Troska), as well as loads of individual single-missions, the ability to create your own missions and full co-op or competitive online play over Xbox Live.

If you've never played it before, then in many senses you're in for a treat. As we said in our opening salvo, its single-player design is - in several respects that count - more progressive and ambitious than any other military shooter out there. Playing through it all over again only serves to remind us how much unparalleled freedom Bohemia gives players throughout each mission. It doesn't always come off, mind you, but the more you play it, the more you're struck with admiration over what the game's trying to do. Unlike so many war games, there are no cheap thrills on offer - whatever entertainment you glean is earned, and whatever you've missed might not be all that apparent.

Rush n' attack

Set in the Cold War era of 1985, you play as various characters caught up in a burgeoning conflict where it's not entirely clear who the enemy really is. As part of a heavily outnumbered US force based in Eastern Europe, it's your duty as the nearest NATO force to investigate the source of the conflict and sort things out. Soon enough things become a little clearer, but not before you've been captured, set free again and engaged with a well-drilled, heavily armed Soviet force that strikes with ruthless precision.

In common with any other shooter, you're delivered a rough set of mission objectives and essentially left to get on with it however you see fit. To begin with, most of the missions play themselves out with your role reduced to a mere spectator on many occasions. A well-drilled AI force generally gets on with the task at hand pretty effectively without your input, effectively serving as little more than a mission-based tutorial for much of the first half of the campaign. It's a fairly underwhelming introduction to the game as a result, with most early missions over and done with in a matter of minutes.

But after schooling you in some of the vehicles (such as tanks, jeeps and eventually aircraft) the real meat of the game begins to become apparent, with your promotion leading to a more strategic experience, where commanding your squads and issuing orders is as important as putting bullets between enemy eyes.

Marchin' already

In the loosest sense, Operation Flashpoint is a straightforward run-and-gun first- or third-person shooter, but with this extra strategic layer there's a far greater scope to plan each mission with the kind of military precision that so few games in the genre seem willing to grant players. And such is the flexibility of the design, you can pretty much wash your hands of any kind of strategic involvement if that's not your thing, with the ability to simply run around each mission with soldiers following obediently behind, or send them up ahead to do your dirty work for you. Along the way, the game does give you a pretty decent, gradual tutorial in exactly how to issue commands to specific squaddies, allowing you to quickly send them marching (or driving) off to wherever you want via a seamless and largely intuitive system of branching menus. Accessible via the d-pad, a few quick taps are all you ever need to issue even the most complex order. As far as converting the controls to a joypad goes, it's an excellent system that works well.

The real joy of OpFlash is carving your own path; deciding on a plan of action and seeing it through. During each mission you're generally given a waypoint to follow, but getting to it is fraught with pitfalls that won't be obvious the first (or even the second or third) time you encounter them. The satisfying thing is trying things different ways. Sometimes taking a tank seems like the best option, other times sending in different squads from opposing sides and outflanking them from somewhere completely different as a lone wolf, or maybe sniping your way to victory. Unlike almost every military shooter there's as much fun in replaying a mission using new tactics as simply completing one and moving onto the next.

Bohemia pulls all of this off thanks to vast and sprawling maps where nothing's arbitrarily off-limits like so many of its peers. If you encounter a choke point somewhere and get heavily outnumbered, then simply taking a different route might well be the answer. If you think you can outrun machinegun patrols in a jeep, then the chances are you'll pull it off. In one memorable mission, you can even nick a chopper from under the noses of numerous enemy sentries and use it to blow up their base. No obligation, and not even any advice that you can - but the fact that you find this sort of stuff out accidentally just makes it all the more absorbing and fun.

Sandy sure

And, of course, unlike other subsequent 'openworld' games like GTA, the sprawl changes with every single mission. There's no city hub or anything like that, just mission after mission of unfamiliar, daunting and generally undulating terrain. All you've got is a map, a few scraps of information and your wits.

Of course, thanks to all of this, it's hardly the most friendly or approachable of games. With the stabiliser of constant checkpoints, health packs and linear level design taken away, you might feel the game lacks focus. More often than not you're taken out by nothing more than a cluster of wobbly pixels that you had no idea (or no way of knowing) were there. There's not much in the way of up close and personal combat - unless you're being run over by a marauding tank - so for those of you schooled on Ghost Recon and Call of Duty, it's one hell of a contrary experience that can feel completely at odds with what you expect from this type of game.

Yet it's a game that truly gets under your skin if you've got the time and energy to treat it with the respect it deserves. No, it's not particularly polished. Yes it does look dreadful. But if you can overlook the inherent issues that threaten to bring it crashing down, there's still much to admire.

To be completely honest though, no matter how much we still admire everything Operation Flashpoint stands for as a game and as an experience, there can never be a big enough excuse to pardon the grotesqueness of the engine that the game's lumbered with. Everything has been so spectacularly surpassed in so many important ways that you almost feel sorry for Codemasters for having to defend it. The character models aren't just a bit rubbish, they're probably the worst to have ever (dis)graced the Xbox, and the environments are sparse, green scrublands, populated by uninspired block housing and pixellated bushes. The vehicles are a bit better, but not much. As a stark reminder of how things used to be, this is it. Even four years ago it looked pretty nasty, but we forgave it. Nowadays we wince in pain.